One week in: “Gutenberg’s reputation is not threatened”

We spend a lot of time here talking about the early days of Today, and there’s a couple reasons for that. The first, obviously, is because when you look at the career of Dave Garroway you find a ton of material about his years on that program, and to not talk about it is sort of like talking about Neil Armstrong without mentioning that whole Apollo 11 thing. But it’s also interesting to look at those early days because Today was such a departure from anything else that had come before, and it’s worth seeing how a program we now take for granted brought such responses when it was new. In this installment, we’ll look at how Broadcasting looked at the first few days of Today in its January 21, 1952 issue.

(Before we go any further, it’s only right to thank the amazing online archive at the incredible American Radio History website, where this and a ton of other issues of Broadcasting, along with many other titles, are available for research. Folks like these make historians’ jobs so much easier, and they really deserve an award or ten for doing this stuff.)

The review begins by noting the immense buildup NBC had created around the program, “suggesting that the program would be of greater historical consequence than the invention of the printing press.” After the first few days, however, the review noted “Gutenberg’s reputation is not threatened” – and that the early-morning radio programs Today was meant to rival should not yet be thrown out.

Its main problem, Broadcasting noted, was that it tried to do too much too quickly and set an impossible mission for itself. “No one television show can deliver the contents of the Library of Congress to America’s living rooms and that is just about what its originators envision Today as attempting.” As a result, it reduced news stories to brief headlines, three-minute songs were truncated to a minute’s play, and book segments didn’t go into any appreciable depth. Even the trans-Atlantic reports seemed to do little more than just demonstrate such communications were possible.

The review included this really nifty depiction of the Exhibition Hall studio. (Broadcasting Magazine)

Broadcasting was not impressed with the busy studio, noting its array of clocks (“one showing the time in Calcutta, a hot-bed of interest to Indian viewers”), flashing lights, recorders and other gadgetry “as to suggest it was designed by the producers of Captain Video or Space Cadet.” The busy set with its many occupants milling about would resemble “St. Vitus’ dance brought to the screen were it not for the restorative presence of the man who now saves the show and can, with proper support, establish it as an important television feature.” Broadcasting praised Garroway as “imperturbable” and suggested Today would be successful only if the rest of the program were tuned to more closely match Garroway’s calm demeanor.

The review noted a moment from the January 15 edition that suggested a path Today could take. That morning, Garroway had interviewed New York Daily News drama critic John Chapman about a play that had opened on Broadway the previous night. Chapman told Garroway he hadn’t cared for the play, and explained why. After Chapman expressed his views, Garroway presented a recording made the night before in which theatergoers’ opinions differed from Chapman’s. “This was imaginative,” Broadcasting noted, “and an example of the kind of foresighted thinking that it will be necessary to employ consistently to make this program a success.”

Broadcasting noted that NBC had put a lot of resources into making Today a success, and “it remains only for production genius to figure out how to use it.” The review suggested that Today limit its mission to what it could do well within its allotted two hours, for at its current pace, “it will succeed only in being a costly what-is-it, running a poor second in music and news to radio in the competition for the morning audience.”

In a separate item below the review, Broadcasting noted that on its first day Today claimed a newsbeat, with NBC publicizing that a bulletin on a Northeast Airlines plane that crashed in the East River “scooped all networks and stations.” Broadcasting noted that the “scoopees” presumably included NBC’s New York flagship station WNBT-TV, since East Coast stations left Today at 9:00 AM, while the bulletin was seen only on the additional hour for Central Time Zone viewers.

One final note: In a sidebar, the basic facts about Today included an approximate cost of $35,000 per week. In January 2018, that translates to $327,371.51 per week, which…I somehow doubt would cover the week’s expenses these days.