Archival finds – Garroway at Large

Happy birthday, Dave! (And to us!)

That’s right…we’ve had one more trip around the sun, and another year of remembering the life and legacy of our beloved Dave Garroway. We’ve come so far since our very first post all those many years ago, when this little project was just getting started and the book was little more than an aspiration. Now the book is out there (in the fancy hardcover version, in a casebound version, in paperback, and for Kindle) and it’s sold some copies, and we remain pleased with what we’ve achieved and hope we’ve helped show the world some sides of Dave Garroway that have too often been neglected.

Of course, just because the book’s published doesn’t mean we don’t stop finding new things. A couple new items arrived in the mail this week, vignettes from moments frozen in time. I’ll present them here – and please forgive the watermarks, but these are special items and I want to protect them. I think you’ll be able to enjoy them, regardless.

The first is from a large-scale color transparency that I had to do a great deal of color-correction on. It’s still not as good as it could be, but it’s a lot better than the washed-out version I started with. This was taken a few minutes before 9 a.m. Eastern on May 5, 1952. The two East Coast hours of Today have ended, and there’s a brief pause to regroup before the second hour for Central Time begins. To the left, Jack Lescoulie sits, taking a pause before announcing the top-of-hour program intro. Up front, a floor crewman reviews the rundown while a cameraman looks away from his TK-30’s viewfinder. Atop the viewfinder is part of a Tele-Q system, an early prompter system.

It’s coming up on four months since Today‘s debut, and there are already changes to the set; the big board that lists the home cities of affiliates, with weather conditions for each, has been mounted between the newsroom and Dave’s desk. Look closely and you’ll see some interesting things on that desk, including some books, a milk carton, and a large envelope. Note also that both Dave and Jack are wearing carnations in their lapels; this could be a run-up to Mother’s Day.¹ Dave’s wearing the big RCA BK-4 in a harness rig.

If the first one was washed out, then this one is vivid as life itself. This is from after Today moved into Studio 3K in 1958, and is a vivid Ektachrome by Fred Wertheimer. The caption states that’s Helen O’Connell next to Dave. If that’s the case, this was taken sometime between July 10 and August 15, 1958, for O’Connell had requested her release from the program and was replaced by Betsy Palmer on August 18.

Look at Garroway’s expression. Even though he’s smiling, there’s something about him that seems worn and worried, in contrast to the droll Garroway of 1952. His hair is turning silver and he just looks older somehow. Look closely and you’ll see the pinkie finger of his right hand is completely bandaged; other photos from this same day show it to be a heavy bandage, and it makes me wonder if there’s a splint under it.

The big BK-4s have been replaced by the much smaller (and long-lived) BK-6, which could be worn on a cord or clipped to a lapel.² In front of Dave is one of the iconic RCA 77 microphones. There are two monitors behind the anchor desk, but in the background there’s just a dark wall. You get the idea of what it was like to move from the bright RCA Exhibition Hall, with its street-level window, into a studio walled off and isolated from the outside world, and of the challenges the program staff faced. In the old storefront studio, all they had to do was turn the camera toward the window, but inside 3K, there was nothing to go to.³

And that’s a little present to you for Dave Garroway’s 111th birthday. Enjoy!

Todaymanship (NBC promotional book, 1953)

Although the book’s out there and finding an audience in its own low-key manner⁴, that doesn’t mean we here at Garroway at Large World Headquarters aren’t always on the lookout for new additions to the collection. Last week, a certain online auction site brought an especially rare item I’ve been seeking for years, ever since seeing a picture of a certain Today notable reading it in close detail.

“I hope you’re taking notes, because there’ll be a short quiz next period.” (NBC photo)

A few dollars and a week’s shipping time later, here it was in my hot little hands. Though I doubt this is the exact copy seen above.

I haven’t come across a lot of information about this little book itself, but as we’ll see as we look at a few pages, the message was to make the Today program appealing to prospective advertisers by telling stories from viewers’ letters and other feedback. The title is inspired by Stephen Potter’s The Theory and Practice of Gamesmanship: Or the Art of Winning Games Without Actually Cheating, a best-seller published a few years before that had spawned follow-up volumes by Potter.⁵

This is a slim little volume whose shape suggests a television screen. Its spread was too long for my scanner, and I therefore had to reassemble each spread from two scans in Photoshop. I also got some dark edges that I only had moderate success cleaning up, so please forgive that. Instead, focus on the samples below.

This introduction sets the tone for what’s to follow. It’s all written in a droll style with footnotes at various points, and the footnotes are often a license to insert jokes. The first footnote above is full of industry references; the second is a reference to this then-recent scandal.

This gives you an idea of what’s to come: a goofy little illustration⁶ depicting some of the acts that viewers say they engage in while watching Today. Somewhere in the image is a television picture showing Garroway responding to whatever scene is happening. Each drawing is annotated in a way that corresponds to remarks in the narrative. “Position of hand on nose is regulation shaving maneuver and not to be construed as criticism of Today,” it notes.

In this section a viewer writes of getting dressed while watching Today. The narrative notes how many viewers (10.7%) do this, although “ordinarily we of television try to avoid this sort of thing.” It also notes that “coy expression is a fairly common manifestation during this process. It arises from feeling that Garroway is actually present in room. This feeling of Garroway’s presence is decided advantage to advertiser (you?).”

In the second section there’s discussion about places where people watch Today: in taverns, while in different rooms of the house, or even in bed. This section tells the story of a woman who had a swivel top put on a table so she could watch Today from her bed, but when she couldn’t see all of the picture she had the table’s legs extended. The narrative suggests she may be of the “leisure class,” in which case she could order someone to buy the sponsor’s product. A note also informs prospective time-buyers that Today‘s time cost less than $1.25 per thousand, making it one of the best buys on the air.

A third section looks at ways people have adapted to Today. One entry tells of a woman who calls a friend and holds the phone up to the television for the entirety of the program so she can hear the show. Another tells the story of the man who cut a hole in his wall so he could see from another room. In this one, we have a woman who installed a mirror so she could see the program while in the kitchen. The book calls this “reverse Todaymanship,” and a footnote says the correspondent kept referring to the program as “yadot.”

Now that we’ve seen some examples, the booklet says these are representative of about half the viewership of Today. What are the rest doing? “Nothing. They just sit there.” Husbands are late to work; wives postpone chores; children are late to school.⁷ “But whether Today‘s viewers work while watching or not, they are complete addicts and could be very susceptible to your advertising on Today.”

A new home for some old friends

I’ve written on here before about the importance of preserving television history. That’s not just in writing books about people like Dave Garroway, but also in preserving the things that remain. Some of those things are easy to preserve, like books and documents. Other pieces are a little more substantial, but still manageable. And then there’s some that require some effort. That’s what led to an adventure last week.

I’ve been friends with Bobby Ellerbee for several years, and on a few occasions I’ve visited him and his dogs at his home in Georgia. Over the years Bobby amassed a collection of television cameras that spanned a good half-century of the medium’s history. The first time I visited, two rooms were awash with just about every studio camera you could imagine, and his garage had just about enough surplus equipment to start a network.

Over the years, some of Bobby’s collection found new homes at museums or with film prop companies, but his camera room was still nicely populated. Recently, though, he bought a new house. It’s a nice house, but it doesn’t have the display area of the house he’s vacating. Bobby had to make some hard choices. To make a long story short, I got a phone call, and last week I rented a box truck and drove over to his house.

The more the truck filled up, the more I realized this was real, and I started to think about the two happiest days in the life of a boat owner.

In the space of about two and a half hours that Thursday, Bobby and three movers and I loaded four cameras and pedestals, a few boxes of equipment and books, and some other stuff we could put to work in our building. Bobby had told me to rent a truck with a lift gate, and it’s a very good thing I did. Camera pedestals are heavy. By 11 that morning the truck was loaded up and I was headed back home. I spent the afternoon and evening unloading the truck at the office, and that night I drove it back and reclaimed my car.⁸

The brave rental truck at the end of its travels with me. This was a happy moment, likely for both of us.

So, let’s see what we have.

Longtime readers will be familiar with this: the RCA TK-47. I already had one, but I certainly was not going to pass up another. Unlike mine, the internals of this one are still intact, and as I was cleaning it up I was interested to look inside.⁹ Bobby had installed vinyl lettering on either side to honor NBC’s flagship stations in New York and Los Angeles. Inside is a property tag from WISH-TV in Indianapolis. Part of me thinks it would be fitting to restore the WISH-TV livery, but I’m awfully fond of the genuine NBC stickers on there, especially since I associate the TK-47 with Saturday Night Live and David Letterman’s late-night NBC show.¹⁰ Fortunately, I’ve got a while to decide what to do.

A contemporary of the TK-47 is the Ikegami HK-312, which Bobby had decorated as an ABC camera of the 1980s. It’s appropriate, because ABC used Ikegamis a lot. The Ikegami doesn’t get recognized a lot but it was one of the workhorse cameras of its day, and you’ve watched a lot more television that was brought to you through these machines than you may realize. This particular one has some interesting labels inside about its history, and the box lens has an ABC property tag on it.

Now, here’s a rarity: a Marconi Mark VII. This one actually did belong to Tele-Tape Productions back in the day, which meant it spent a couple years at work in the early days of Sesame Street. What looks like sheet metal damage in the photo is really the reproduction logo, printed on vinyl, separating from the side of the camera. I’m going to replace that as soon as I can get the printing done (the design is pretty much done, but I just need to find someone who can print it to my specifications). In the meantime it’ll wear a rare and very interesting livery that a few Mark VIIs wore for a short period.

No, that’s not the pedestal they used under these when they were in service. Although, given their weight, you can sort of understand it.

And this stylish beast is the RCA TK-42. I’ve seen it described as RCA’s attempt to combine the color of the TK-41 with the sharpness of the monochrome TK-60. Unfortunately, ambition didn’t match execution and the TK-42 was not a hit. NBC itself really didn’t want anything to do with them, so TK-42s and TK-43s were often what brought local stations into the color era.¹¹ The TK-42 was soon superseded by the great and durable TK-44. This one somehow made it to modern times, and even has the proper RCA pedestal and head most often seen beneath them. Unfortunately, it’s missing a few of its internals and has to be balanced with some weights inside, but from the outside you couldn’t tell. The black-and-gold RCA logo disappeared from the right side somewhere along the way, but a very helpful designer with a 3D printer was able to print up a replacement that looks just like it’s always been there, and I’m very happy.

We look much happier wearing the General’s lightning bolt. Now imagine how we’ll look once we’re back on our big ol’ pedestal and we can get a good all-over clean-up and shine.

There’s plenty left to do on these cameras. I’ve done some initial clean-up on them, but when I have time I want to give each one a good going-over to make them look as good as they can.¹² There’s also a few things I may do as I find period-correct hardware for these machines. But all that’s down the road. Right now, what matters is that these old machines are safe in their new home, where young eyes will be able to see the equipment that helped make possible what they now take as a given.

Where have we been?

No, we haven’t disappeared, and we’re sorry if you think we have. The good news is that some good things have appeared during the lull. One of them is another episode of Garroway at Large, presented here for your enjoyment.

I’m hoping more are in the wings. These need to be preserved and seen, for it’s a glimpse at a fledgling medium spreading its wings (and even more time to spend with Our Dave in his pre-Today years, when he was at his most whimsical).

:: We may have been quiet here the last little while, but we have not been idle. One thing we’ve been working on is the next title from Tyger River Books, which published Peace. I’m happy to share that our second title (written by someone who is not me) will make its debut in May. The subject is another fascinating, multi-faceted person whose story had been lost to history for too long. I’ve read it (obviously) and it’s a great story you don’t want to miss. You can find out more about it here, and please keep an eye out for the book’s debut. It’s going to be something special.

Endings and beginnings

And here we are, as another year wheezes to its inevitable conclusion. I’ve thought sometimes about how the end of one year and the start of another is more psychological than anything; it’s not like the planet goes over a speedbump at midnight on New Year’s or anything like that, for life just goes on.¹³

Be that as it may, the last year has been eventful for the Garroway book project – at long last, the book got published in three delicious varieties, and it’s been well-received and some people have written and said some especially kind things about it, which has been gratifying. (And the book’s been published in time for the holidays, too. It makes a terrific gift. Just saying.)

What’s ahead for the Garroway project in 2024? Well, you’ve no doubt noticed our tempo here has eased; that’s the inevitable result of the book getting published, not to mention other projects demanding my attention. This website, however, is not going away any time soon, and as we discover new things we’ll share them here. I’ve learned from previous ventures in research that publication is sometimes just the beginning for new discoveries and adventures, and I feel there’s still new discoveries in the Dave Garroway story yet to come…and as I find them, I want to share them with you.

For instance, here’s ten wonderful minutes of excerpts from about this time in 1954. What better way to get ready for Christmas than a few minutes with our Dave, along with Arlene Francis¹⁴ and Betty White? Enjoy.

Thank you, 2023, for all you brought us. To the new year: please be kind and generous. And to all of you out there: thank you for being with us throughout this whole adventure. Stay tuned for more discoveries.

The hardest thing

NOTE: In this post I make mention of suicide. It is a difficult topic to write about and I realize some of you reading this may find it difficult to read about, and if it is troubling you may want to avoid this week’s post. Most importantly, if you are having thoughts of suicide, whether or not you are in crisis, there is help and there is hope. You can find help through the 988 Suicide and Crisis Lifeline. Call or text 988 to get help.

You face a problem when you’re a biographer. It’s not unlike any movie you’ve ever seen that involves a dog as a major part of the story. You know how the story’s going to end, and you know it will probably break your heart. Both life stories I’ve written thus far ended abruptly. In the case of Ben Robertson, it was with a plane crash. In the case of Dave Garroway – and there’s no easy way to say this – it was suicide.

This is a hard topic to talk about, for many reasons. For some folks, it’s deeply personal. Maybe others have lost loved ones or neighbors or colleagues this way.¹⁵ In the case of Dave Garroway, it was something I knew I’d have to handle because of how I remembered the coverage of his passing in 1982. The more I learned, though, and the more I researched and the more I talked to people in the know, I found that it was nothing new in his life, and that it had been something on his mind for a long time before he finally did it. (Depression sucks, and depression can indeed kill.)

But even though it’s a horrible thing to talk about, I’m doing no one a service if I avoid the topic. My job is to report the bad alongside the good and great, not to burnish an image, because that’s public relations and not biography. My problem then becomes, how do I tell it? The way he went was not gentle, but I have to find a way to tell it without getting lurid.¹⁶ I also have an obligation to the Garroway family to treat it with sensitivity. The event was traumatic enough; the last thing I needed was to even accidentally inflict new trauma in the retelling.

I knew what the newspaper stories said about his last observed moments. But I had nothing in between the time his wife left the house to go to an appointment, and the discovery of his body. In my first draft, I wrote what seemed plausible as a sequence of events leading up to that last second, and I tried to write it with as much discretion as I could, because the reader could piece things together. But it just didn’t feel right somehow. Then, as will happen, I made a discovery that changed things.

One of my long-standing interests is aviation history and accident investigation. One specific long-standing interest is the crash of American Airlines Flight 191 in May 1979. It’s the first aviation disaster I remember in detail, and even though I was a child when it happened I was fascinated by the story and have been since.¹⁷

The Flight 191 disaster was especially painful for the staff of Playboy magazine, because four people affiliated with the magazine were killed in the crash. Out of the grief came an assignment to writer Laurence Gonzales to conduct an in-depth investigation of aviation safety in the United States. In June 1980, Playboy published the first part of Gonzales’ two-part investigation. All these years later, it remains deep and bracing reading, and I regret that it’s paywalled and hard to access, because it’s seriously good investigative reporting that is written so well.¹⁸

Gonzales was out there among the cops and firefighters and reporters and everyone else on the scene that horrible afternoon, and three months later he came back out to survey the scene once more. He began his report with a description of the scene three months post-crash, and made mention of strands of white electrical wire that still stuck through the mud in this field where nothing could grow.

As the first installment concluded, he briefly described a visit to the McDonnell Douglas factory in Long Beach, where DC-10s were being manufactured. He noticed the wire harnesses, with hundreds of miles of electrical wire in each aircraft, and felt there was something eerie about it. Then he realized why. The first installment thus ended with a callback to all those strands of wire still sticking out of the mud near O’Hare.¹⁹

And it’s from Gonzales that I got the idea of how to handle Dave Garroway’s final moments. When you read the book, you’ll recognize a similar callback. It allowed me to handle a horrible moment with, I hope, the best available sensitivity.

For that, I must credit Laurence Gonzales. Thank you, sir, for helping me get better at what I do. I’d like to shake your hand.

An evening with Santa Dave

A few years back I wrote about the 1954 and 1955 productions of “Babes in Toyland,” staged by Max Liebman with an all-star cast that, not incidentally, included our own Dave Garroway. In the spirit of the season, a kind soul has posted the 1954 production, and I present the link for your enjoyment. Be sure to catch all the inside jokes in Santa Dave’s conversations with his young friend (not to mention the “sweater girl” comment that was axed from the 1955 production after being criticized as too racy for young ears).

From all of us here, whatever you celebrate or observe, may it be wonderful, and may it be filled with…peace.

Time machines and buried ledes

It’s been busier than I’d like of late, and that’s where I’ve been. On the other hand, it means a lot of cool stuff has accumulated. Let’s begin with this image, which is from a large-format negative I recently acquired. It’s from December 7, 1954, and Dave’s expression captures what I’ve spent a lot of time feeling because of work.

Next up, check out this really cool interview with my friend (and collaborator) Brandon Hollingsworth on my friend Mitchell Hadley’s It’s About TV. The topic isn’t Garroway, but Brandon is always worth listening to and Mitchell’s blog is always worth reading.

Now let’s take a trip back in time: it’s 1958, and here’s a brief glimpse at the RCA Exhibition Hall. No glimpse of the Today set in its final months, alas, but it’s the Exhibition Hall and that’s worth checking out any time.

Finally, here’s a chance to see just how well I can bury a lede: at this link, you can get a glimpse of the image that will be on the cover of Peace: The Wide, Wide World of Dave Garroway, Television’s Original Master Communicator. (It’s also a chance for me to say that working with the estate of Raimondo Borea, and with Jon Gartenberg, could not have gone better or happier, and I gladly recommend both to you.)

Bob and Ray’s “Big Big Earth,” 1958

Some time ago we looked at MAD Magazine’s spoof of Today. Well, there was more – and it was the work of no less a pair of luminaries than Bob and Ray, who contributed to MAD in its early days. From 1958, here’s their take on Wide Wide World.

As a bonus, here’s a visit Dave made to Bob and Ray’s TV show shortly before Today made its debut.

:: We’re still here and we’re doing okay, incidentally. There just hasn’t been anything to report. The manuscript is still in the editing/review process, which from experience I know takes time. I also haven’t made many new discoveries, and even if I had, the day job keeps getting in the way. Good things are to come, and soon, I hope. Stay tuned.

Happy birthday, Dave! (And happy birthday, us!)

Today is a day that should be celebrated everywhere, with cake and ice cream for everybody, for it was on this day in 1913 that our beloved Dave Garroway was born. Not to mention, it was on this day in 2017 that this website was officially launched. It was a birthday tribute to Dave, a way of keeping his memory alive in a world where he’s so often been forgotten.

Five years ago, if you’d asked me if the book would be completed by now, I’d have told you that I hoped it would be, but it was a tall order. I’d love to get the James Webb Space Telescope to look back five years and tell me “yes, it will be.”²⁰ The book is being proof-read; I’ll make whatever alterations are advised, and then it’ll be off for layout and the next steps, and of course I’ll say more about that when the time is right.

The end of the writing process is so much of why it’s been quiet here, but I thought we’d celebrate Dave’s birthday by taking a look at some favorite pictures I’ve accumulated over the years. For various reasons, none of these will be in the book²¹ but there’s no reason why we can’t take a few minutes here to enjoy them.

Happy birthday, Old Tiger.